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wolf hudson gets grilled on who sent him to spy on Penny Flame. She moves like a snake as she teases his entire body with hers, unleashing moments of rage while being completely sexual. Penny expertly uses wolf’s body to give her pleasure and to drive him crazy with lust. Once used and milked, wolf is crab-tied and sodomized. With a big black cock in his ass he gives up the information Penny needs and becomes a complete bitchboy to her for eternity.
REACHING THE STARS. Who’s your mistress? “Chanta”, perhaps, after avowals of “Sabrina” – never “Penny”? This shoot is not a shoot, but a film in itself, belonging to the Legend of cinema. For we are not any longer into porn shoots, here, but into cinema features. And this film, as a film, having myself viewed every shoot of CB released to this date (= 159), merely 46 of F&B and I’m ashamed to say only 12 of CM, so a meager total of 217 out of more than 400 shoots, is the greatest film ever shoot at the Factory from my experience. This film deserves to be seen at least two times in a row to be understood. We are confronted here to the view of an immense artist, a real director of filming, able to sublimate the play of actors from her view about cinema. «Tu m’as donné ta boue et j’en ai fait de l’or» (Baudelaire). I have named : MZ SABRINA FOX. With an admirable audacity, she shows her presence in mirror, with the question of Penny : «who’s your mistress?», and the first answer from Wolf : «Sabrina»! The slow melancholic motion of the scene, the melancholy of a domme to play a masochistic scene as a would-be sadist to grab from her bitch boy he is fond of her after all that she is doing to “captive” him – a guy having a soft hard-on on the road for Penny – is admirable. The play of Penny, the seductive mean mistress, is totally sublimated by the continuity of filming, this poor girl deserving only a «you are crazy» statement instead of a «you’re my mistress». A totaI perversion of the intrigue of “captive males”. I think Sabrina Fox would be able to shoot a porn scene with a mummy of the XXth dynasty in Egypt and make a fascinating scene out of that. First time I was compelled to write more than four pages of notes, from which be able to hover over the shoot to write a comment. The mix of intellectual porn with emotional show into the scene (a paradox in itself), the visual splendor of the view through inner hidden dramaturgy : we are beyond limits here, as if it were a gift for the New Year from Chanta. Into the dimension of the “art & essai” cinema (as French said in the time it was run still in France), an admirable second level of shooting. I am afraid this girl would be able to make a masterpiece with stooges. The greatest film of Twisted Factory.
– regisjean
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